Eye on the Horizon: Ceaseless Fun Returns with Everyone Agrees it’s About to Explode – ON SALE NOW

Theatre fans, rebels, revolutionaries, and revelers! We are once again blessed with an upcoming performance from Los Angeles’ Ceaseless Fun: Everyone Agrees It’s About to Explode!

Check out the following press release for specific details, but know this: Ceaseless provides some of the most thought-provoking, articulate theatre we’ve ever encountered, and we are very excited to welcome them back for the next addition to an already powerful repertoire.

So get your balaclavas on, and shake your Molotov Cocktails, because Everyone agrees…Ceaseless Fun is back.

(all photos by Nic Murphy.)


Everyone Agrees It’s About to Explode

LA-based performance production company, Ceaseless Fun, is proud to announce Everyone Agrees it’s About to Explode, an immersive performance created by Derek Spencer.

EAIATE, ceaseless fun

Everyone Agrees It’s About to Explode (EAIATE) is an immersive theater production about radical politics, factionalism, the allures of power, and the role of the arts in political change. Under the cover of darkness, members of a small leftist insurrectionary group sneak into a vacant building in order to hold their meeting and plan their anarchist activities. The audience is cast as new recruits in the group, and at first the meeting goes as planned. But as old arguments surface, the group finds itself on the brink of collapse.

EAIATE, ceaseless fun

Originally devised with the ensemble, EAIATE pits conflicting ideologies against one another and asks the audience to consider their place in these timeless conflicts. Everyone agrees that the correct answer is always a synthesis of many possible answers.

EAIATE is an immersive, site specific work. Audience members should expect to be touched and interacted with directly.

Trigger warning for gun violence, dark spaces, loud noises, and suicide/self-harm.


WHAT: Everyone Agrees It’s About to Explode

WHERE: Lincoln Heights, LA Los Angeles, California 90031

*Location to be distributed once tickets are purchased (Please note that this location is not wheelchair accessible.)

WHEN: Thursdays – Sundays, March 12 – April 5

RUNTIME:Approximately 105 minutes

TICKETS: $55, available at https://everyoneagrees.brownpapertickets.com/

A limited number of $20 income accessibility tickets will be released for each show. Tickets are ON SALE NOW.

EAIATE, ceaseless fun

Creator/Director: DEREK SPENCER

Creative Producer: MEREDITH TREINEN

Ensemble:

ZACHARY CARLISLE

WOODROW CURRIE

DAKOTA LOESCH

SCOTT MONAHAN

MADALINA NASTASE

KATIE PEABODY

MARISSA PETULLO

SOREN ROYER-MCHUGH

MARTHA WOLDU

Associate Director: TALIA SHEA LEVIN

Associate Producer: NIC MURPHY

Stage Manager: LANE HARRISON

Lighting Designer: JOSEPHINE WANG

Sound Design: HELENA MCGILL & ANNA WOZNIEWICZ

Costume Design: LAUREN WEST

Set & Props: BRITT KELLER


Ceaseless Fun fosters empathetic and socially-engaged discourse through feverishly philosophical and playfully illicit live experiences. It is headed by Derek Spencer (Artistic Director) and Meredith Treinen (Creative Producer). Past theatrical productions include The Stars (2018), They Who Saw The Deep (2018), Agnosia (2018), Why I Want to Fuck Ronald Reagan (2017), GRANDPA JOHNSON IS DEAD! (2016, in partnership with Scarlett Kim & Co.).

Visit Ceaseless Fun at their website for more engaging content!

Eye On the Horizon: Where the Others Are from E3W Productions

Welcome to Eye on the Horizon, where we’ll share press releases and other announcements that we’re excited for.

Today, we’re thrilled to announce the return of the much beloved E3W Productions, who are bringing us another passionate look at intimate theatre with Where the Others Are, a twoaudience member show that takes place in a vintage Airstream trailer. We are entirely too eager for this one.

Why not enjoy some choice quotes from our Editor in Chief about prior E3W shows?

  • In Another Room 2017: “…they have done something truly remarkable: they have managed to capture a true and harrowing series of emotions without abandoning a dark undercurrent. Through a remarkable use of space, the ongoing and welcome use of musical cues for story beats, and strong acting, In Another Room provides an evocative and unique glimpse into tragedy. This is not a haunted house. This is a house that leaves you haunted.Review at Haunting

  • In Another Room 2018: “The spaces E3W creates are so intricate that they exist in a perfect sense of hyper-reality; they are at once impossible and so, so real.” Review at Haunting

See the full details in the press release below!

Please visit E3W on their website or on Instagram for more updates on Where the Others Are, and follow us here and on Instagram for more updates on evocative content you should keep your Eye On.

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Please note: the link below will go live at 10am on 2/10/20

Show Title – Where the Others Are

Tickets on sale – Monday, 2/10 at 10am

Ticket link – https://wtoa.brownpapertickets.com

Details – 2 audience members, 1 hour show

Price – $90

Dates – March 4, 5, 6, 7, 8, 11, 12, 13, 14, 15, 18, 19, 20, 21, 22

A desperate plea from an old friend brings you to the doorstep of her neglected trailer. She’s finally ready to leave her abusive husband, and she wants your help. But he may not be what he appears to be. And her problem may be beyond human comprehension.

‘Where the Others Are’ is the new site-specific immersive experience from E3W Productions, the team behind the acclaimed ‘In Another Room’ series. Now, E3W delivers its most intimate piece yet. You and one other person will be welcomed as guests into a 1980s Airstream, where something otherworldly is brewing between the couple who lives there. Step inside Ben and Maggie’s world and witness the unexplainable, as they confront questions of existence, connection, identity, and meaning—within themselves, within their marriage, and within the claustrophobic confines of their vintage RV. 

While ‘Where the Others Are’ is not a horror experience, please be aware that there will be light physical contact, moments of complete darkness, frightening material, and adult content and themes.

Due to the nature of this show, audience mobility is required. Guests will be asked to sit, stand, walk, climb stairs, and enter tight spaces.

The exact location of the trailer will be sent to you on the day before your scheduled visit. 

E3w productions, where the others are

The Autumn Experiment’s On With the Show: A First Love Letter to Classic Halloween

I’m waiting on a street corner, watching two men in kitschy pumpkin-sack masks gallop towards me. They wear shirts that say “10” and “31,” respectively, and grip my arms tightly as we walk down the street towards our destination. I gather that we’re trick-or-treating together, but none of the houses we pass seems just “right.” That is, of course, until we reach the last one. The one with the fog gently billowing out the front drive. I see a small figure kneeling on the ground and I squint to make it out, just as I realize my guides have vanished and I’m now here alone. The figure is a child, her long dark hair over her face, a dress so white it seems to glow. She’s drawing something on a sheet of paper on the ground. I take a breath and crouch down in front of her. “My name’s Mischief, what’s yours?” I answer her and she opens her mouth in a dramatic, overdrawn cackle. It unnerves me. She stops as abruptly as she started, and continues to draw, humming to herself. “Halloween is coming,” she mumbles, her eyes dark and hollow, and I open my mouth to speak just as a set of gentle, firm hands grip me from behind and hoist me back to my feet.

Autumn experiment, on with the show
Tom Blunt and Galen Adair as 10 and 31

Witches. Three of them, their faces hidden from view, they take turns whirling me to face them. One of them dabs at my wrist with a wick soaked in perfume oil. It smells damp and sweet, like Fall. She asks me if I know about “Spook Shows,” the old take on haunted houses that challenged guests to only the bravest of guests. But it was a lie, in a sense. Nothing really scary ever happened at spook shows. They were all just a gimmick to get people to have fun. Another witch gently touches my face with a gloved hand and turns me towards her, putting a cup of warm liquid in my hand: apple cider. It’s perfect. 

She tells me that even though they weren’t truly frightening, Spook Shows were eventually outlawed due to a series of unfortunate accidents. It wasn’t until year later that a young man with fond memories of the Spook Shows of his youth decided to recreate the festive scares. He called it The Autumn Experiment. But then he met a man who claimed he wanted to invest in the idea and…well…something went very wrong.

The autumn experiment, on with the show
Stepy Kamei, Jocelyn Gajeway, and Sarah Uplinger as the Witches

The witches all begin to chant in unison, closing in on me. Something about immersive theatre’s latest and greatest, monsters coming to life, participants being carried off into the darkness. The chanting dies out as there’s a tug at my sleeve. I look down to see the Mischief again, her eyes now wide black pools. I lean down to her and she hands me a drawing. It’s The Halloween Cowboy, drawn in the loving way only a child could, but he looks very sad.

She thrusts the page into my hand. “We weren’t supposed to meet this way,” she says. She tells me he, whoever he is, just wanted to make things like they were, to bring back something people loved. But it’s ruined now. Broken. Now she doesn’t know what happens next. No one does.

The autumn experiment, on with the show
Lillith Barriel as Mischief

She tilts her head back and lets out that braying laugh again, cracking the misty air. All at once she stops and shoots her arm out towards the street I arrived from, one long finger extended. “Warn them. Warn your friends. Halloween is coming. HALLOWEEN IS COMING!” She shrieks and I swim my way back out to the street through the growing fog. 

I inhale the cool air once back on the pavement, that damp, sweet smell still lingering on my skin. If Halloween is coming, I think, glancing back over my shoulder, I’ll be the first to say hello.


Halloween 2019 came, and went, but Halloween is never over for The Autumn Experiment. The above was a recap of the first full Autumn Experiment experience, On With The Show. The show combined classic whimsy with a heavy dollop of the macabre, enough to make the overall essence of the performance ripe with nostalgia for October nights gone by. The Autumn Experiment hopes to bring back that warm and fuzzy and yes, a bit scary, feeling of Halloween’s past, one story at a time, and it’s a welcome addition to an immersive theatre landscape that can sometimes rely too often on a heavy dramatic hand.


The Autumn Experiment is the collaborative effort of Drew Rausch and Jocelyn Gajeway. Find the Autumn Experiment on Instagram and visit their website at www.theautumnexperiment.com to sign up for newsletter updates so this year round celebration of Halloween doesn’t pass you by.


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