I’m in the back seat of my mom’s car. She asks me whether I’ve done my homework before tonight’s festivities. I tell her “Yes” with a click of my mouse. Her classic “mom-happy” voice tells me to have a good time as she drops me off. Little does she know the truth: Eye On Immersive: KatnipProductions’ The Sleepover Immersive Review
We’re gonna watch Nickelodeon. All night long. That’s what a sleepover is all about.
In the COVID world, entertainment has become something we watch through screens at an astonishing rate. Nowhere has that become more evident than in the rapid proliferation of remote immersive experiences. Some create deep dives into performing artists. Others create escape rooms with live avatars. The immersive community constantly experiments with how to bring audiences into a story while leaving them in their own homes. The Sleepover, a one-hour comedic immersive show set in the 1990’s, makes its choice with a goofy and fun escape into a more innocent past.
Jointly created by KatnipProductions and the Cricklewood Theater Company, The Sleepover casts its audience members as guests at the title event held by teenager Mikey (Jason Lalich.) With Mikey’s parents (played with lovely over-the-top gusto by Misha Reeves Bybee and Joey Bybee) heading out for a Halloween party, Mikey’s older sister Louise (Susan Louise O’Connor) gets tasked with watching over her brother and his audience friends. That’s all the setup this show needs to leap headfirst into the humor of the story.
Jason Lalich and Susan Louise O’Connor
Comedy sits at the core of this show and it works very, very well. From the opening choose-your-own-adventure video to the death-defying dare at the end, this is an immersive experience that simply wants you to have a good time. Early on, when the plan to watch television goes awry and Louise claims its because of the house’s ghost, Mikey grabs a handful of Goosebump novels because obviously they have the appropriate research for handling spirits. Later, when audiences get separated into two groups to have smaller scenes with Mikey and Louise, we learn how cool an older sister must be by definition because she has music posters on her wall or how cool Mikey is because he knows how to play the Oregon Trail video game. There’s nothing truly serious happening here and that’s the point. The Sleepover’s plot hangs on quirky, strange little moments of fun that come across as sincere because that’s exactly what nights like that are all about.
The Sleepover sets itself up as a show with a loose plot and lots of audience interactions through Zoom. For this type of show to work, you need actors who can maintain strong characters with sharp improvisational abilities. That’s where this show really shines, as I absolutely loved the two siblings Mikey and Louise. Lalich’s portrayal of Mikey reminded me so much of the earnest awkwardness of a boy trying to impress his friends. It’s a performance that works as silly, sweet and almost painfully accurate. From vocal tone to attitude to facial expression, Lalich absolutely nails that age where boys want to be men but have no idea how to get there.
Susan Louise O’Connor
O’Connor’s take on Louise is equally sharp. She portrays the perfect arrogance of the older sibling, convinced of her coolness based on absolutely nothing at all. Certain that she is justified in whatever vengeance she levels on her younger brother for perceived slights. Determined to pose as the sophisticated woman even as she fails to spot obvious traps laid out to bring her down. O’Connor’s performance captures her character’s reality with the ease that only comes from a brilliant performance.
The Sleepover has all the pieces necessary to give audiences a great escape from today’s complicated world. It combines humor, strong improvisation and even a heartfelt emotional moments as it lets you enjoy a simpler time. This is an engaging show in every way. It’s the kind of remote immersive experience that could run for a long time when word of mouth gets around. Most of all, The Sleepover offers a very welcome respite for a weary world.
The Sleepover has extended for three shows this weekend, Oct. 23 and 24th. Tickets are $19.90 for General Admission (anywhere) and $49.90 for VIP admission that includes a 90’s goodie box (local to Los Angeles only.)
UPDATE: The Sleepover has extended again for two more performances on Nov. 6 and Nov. 7.
For more information or to get tickets, head to the event link.
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